This post was originally on my other blog about exploring spirituality and philosophy through post-rock music. I just wrote a post on the best albums of 2021 in post-rock, so I recommend to check that out if you find the music in this post interesting. I haven’t written many posts on the other blog, and it’s only roughly a year old, but in looking back over my experiences of the last year, I couldn’t help but feel like this post perhaps captured the mood and ambience of most of it better than any other, and it fits perfectly with this blog as well. May this resonate with others as well.
As we go through life, there will be loss. Everything composite is impermanent, and everything is composite. All falls apart, eventually. Even atoms will slowly break apart into heat death, according to thermodynamics. This inevitability of change alongside our attachment to beloved events, places, situations, and people means that there will be the pain of losing the things and people we love, and it will hurt.
One translation I love of the preeminent Zen philosopher-monk, Dogen, puts this in the most poetic light:
Therefore flowers fall even though we love them; weeds grow even though we dislike them.
Shohaku Okumura, translation of Dogen’s Genjokoan, Realizing Genjokoan: The Key to Dogen’s Shobogenzo, p. 1
The experiences of big losses, big loves, are some of the hardest transitions we face in life. Dealing with them, living through them, is about as human and mortal as life can be.
As such, it’s no surprise that this is a theme for exploration in post-rock. One of the most iconic songs for this is Caspian’s “Hymn for the Greatest Generation”. The title track and the following track are both seemingly about the band’s process of moving through and honoring the death of a fellow band member.
The sound in this song is gentle, intimate, riding on the picking of an acoustic guitar that builds into a fuller rock instrumentation. We feel the bittersweet moving forward of time, with an almost metronome drum, reminding of the clunky ticking of change, moving on despite loss. The song builds further into something like a celebration for all the joy and love of those we have lost, facing it head on and embracing the memories and warmth of what was. Finally the song melts down to a poignant violin and a return to the bittersweet acoustic guitar slowly going on, knowing that what was had will never be had again.
You can feel both the joy and the sadness in this song. It’s utterly beautiful and unforgettable. Friends of mine have resonated with these feelings slightly differently, claiming to hear the guitarist crying in the song, and I’ve even seen memes about how heart-wrenching it is. This song displays the full beauty of having loved someone and lost them. I highly recommend sitting with it and letting it inspire the greatest affirmation within yourself for these cycles of love, loss, and grief that you will inevitably face in life. There’s perhaps no deeper spiritual experience to sit with.
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